As a member of the studio production team of LA18–or as one might call it, the Asian Univision–I’ve had the unique experience of working in a cross-cultural, multi-lingual environment right here within the United States. As part of a cross-trained crew, I worked as Floor Manger, Camera Operator, Audio Technician, CG person and, most recently, Senior Technical Director. I also edited video, prepared graphics for the shows and other important functions that helped make our 4 to 5-per-day shooting schedule run.
According to Los Angeles Magazine article The Unique Challenges of Being the Only TV Station That Caters to L.A.’s Asian Communities: “Like Univision, LA18 draws from a potential viewer base that, despite a tough media climate, is actually expanding…The Greater L.A. area contains the largest number of ethnic Koreans living outside of Korea and the largest number of ethnic Filipinos living outside of the Philippines. More than a half million Chinese live here, too; in the United States only New York and the Bay Area have more.”
The main question I get about my experience at LA18 is, How does the crew, not being bilingual, communicate with the talent? Interestingly enough, the process is very efficient. Though the shows are not conducted in English, the on-air talent and producers were bilingual, and they communicated with crew regarding when to insert videos and when to wrap segments the communication was very efficient. Continue reading “Adventures in Multi-Camera Televsion Part XIV: My experience working in Asian American Television at LA18/KSCI-TV”